Smitten is a romantic daydream, breathtaking in its simplicity. It's not for the cynics, though. 2025

This isn't just an album, it's an experience, stretching beyond music itself, meant to be appreciated alone, in the dark. 2025

This is why Paramore remains relevant: they've reinvented their sound while still staying true to themselves, delivering fun, down-to-earth singles like Running Out Of Time and the touching ballad Liar. 2025

Concept albums are cool, and in this one we see Abel experimenting with disco sound and intriguing interludes, resulting in a very compelling listen. 2025

The band is in autopilot, and an hour-long of sameness was difficult to swallow, even if the songs are fine in isolation. 2025

Unwanted tries to rock a little more, but I mostly forgot about it. 2025

Beauty In Death is cohesive but doesn't hit quite like its predecessors, perhaps due to its tendency to mimic commercial hip hop, as in Please Stand By. However, the self-titled track is gorgeous. 2025

Feels mostly like the previous record, but I am fan of this style of music, and found it quite dreamy. 2025

In After Hours, Abel is the starboy he wanted to be, is literally heartless at times, but delivers timeless singles and the hypnotic self-titled track. 2025

It was a great birthday gift for me in early pandemic times, but I found it way funnier at the time; Tilian's voice seems processed and annoying, in spite of the catchy melodies. 2025