Golden is brilliant, with great lyrics and melody, and is followed by catchy singles, but the second half of the album fails to offer anything special. 2025

Beauty "opens doors" but also closes them; the movie succumbs to its own message, mesmerized by its aesthetic yet constrained by it. 2025

Hurry Up Tomorrow, while good sounding and intriguing, seems like it never ends, and does not seem to go anywhere tangible, even if it is supposed to be a farewell letter. 2025

Unwanted tries to rock a little more, but I mostly forgot about it. 2025

It was a great birthday gift for me in early pandemic times, but I found it way funnier at the time; Tilian's voice seems processed and annoying, in spite of the catchy melodies. 2025

Dance, Gavin, Dance! Gavin started dancing around 2006, and have never stopped since. And I Told Them I Invented Times New Roman is brilliant, but there are forgettable moments. 2025

It's a classic, but I don't find myself revisiting it often, perhaps because I don't enjoy punk as much as I used to. 2025

It's impressive for a band of teenagers to start this big. It's quite repetitive, though. 2025

Chester’s voice feels strained and out of place, as if he’s forcing it. However, Final Masquerade remains a classic. 2025

A natural continuation to A Thousand Suns, boasts electronic anthems and ballads; however, apart from the singles, feels flatter. 2025