
After Hours (2020)
In After Hours, Abel is the starboy he wanted to be, is literally heartless at times, but delivers timeless singles and the hypnotic self-titled track. 2025

Afterburner (2020)
It was a great birthday gift for me in early pandemic times, but I found it way funnier at the time; Tilian's voice seems processed and annoying, in spite of the catchy melodies. 2025

Post Human: Survival Horror (2020)
Strong Linkin Park vibes, evident with the Itch for the Cure reference, making it feel derivative. That said, it’s well-executed. 2025

Amo (2019)
Amo made fans angry with its poppy aesthetic, but it is bold, intelligent, thought-provoking and does not give a damn about purists. 2025

Phases (2019)
Phases leans more into hip hop, staying dark, provocative, and effortlessly beautiful. 2025

Artifical Selection (2018)
"I know you're not empty, I know you still care": at this point things were becoming formulaic for DGD, but it was still a pleasant listening experience for me. 2025

My Mind Makes Noises (2018)
A synth-pop collection infused with The Cure’s moody aesthetics, featuring beautiful female vocals... I found some of it lovely, disregarding the lack of originality. 2025

After Laughter (2017)

Chase Atlantic (2017)
I remember, back in the day, attending my driving classes while obsessed with some of these dark R&B tunes, such as Dancer in the Dark or Keep It Up. And what great company they remain for night driving. 2025

Mothership (2016)
Mothership is chaotic, raspy, fast. Apart from Betrayed By The Game, I feel like it is a bit too much. 2025